The America That Was—The Bad and the Good | Richard M. Ebeling   Leave a comment

America still continues as a hope and a reality of the possibility and potential for liberty and prosperity for tens of millions who came to the United States from many other parts of the world. The spirit of individualism was to shoulder those responsibilities yourself as a free and responsible person in voluntary collaboration with your fellows in society.

Source: The America That Was—The Bad and the Good | Richard M. Ebeling

Posted July 19, 2019 by aurorawatcherak in Political Philosophy

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Open Book Blog Hop – 15th July   2 comments

Stevie Turner

This week the blog is scheduled as I’m spending some time at the van with a friend.  I’ll  join in with the link and answer any comments just as soon as I can, which will probably be after Wednesday:

The question is…

What was your hardest scene to write?

Oh, this question is easy to answer.  Any sex scene has me cringing at the thought of writing it, but write it I must. In Revenge I had to write about the illicit affair between Alistair and Carly, and how could I do that without incorporating a few sex scenes?  Readers expect them, and one reader even went so far as letting me know that there weren’t enough sex scenes in the book for his liking!

You also get the readers who are offended by sex scenes.  There was one person who reviewed The Daughter-in-law Syndrome’  – …

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Posted July 16, 2019 by aurorawatcherak in Uncategorized

Problems when Working a Scene   Leave a comment

Lyndell Williams



What was your hardest scene to write?

The challenges that present when writing a scene vary from one writing project to another. A manuscript can have multiple difficult scenes taxing authors, making time drag as the cursor flashes or notebook page sits untouched, leaving them all kinds of frustrated.

Scene troubles may involve persistent issues with the plot’s structure, or they may be thematic and restricted to one manuscript.

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Posted July 16, 2019 by aurorawatcherak in Uncategorized

The Hardest Part of all. Blog Hopping.   Leave a comment

I’m having to do the blog hop boosts today because yesterday got away from me in typical Manic Monday fashion.

Posted July 16, 2019 by aurorawatcherak in Uncategorized

Dark Night of the Soul   10 comments

What was your hardest scene to write?


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I don’t write comedy (except occasionally, satire), so my characters are often struggling with damage, flirting with an abyss while struggling with the escalating tension of their unmet desires, wants and needs.

The intermediary step where they still see some light can be a challenging construction – showing Shane fighting for his community, trying to keep moving, all the while carrying around a “dead body” of guilt that seeks to drag him into the darkness. Showing him as functional but damaged is a balancing act, but not the hardest scenes to write.

The ones I hesitate over writing are the dark nights of the soul when the character reaches a place where no light can enter and they don’t even have a glimmer of hope for the future. That’s a painful place for anyone to be and conveying that strains my skills. I’ve walked through my own dark nights and come out the other side into the misty sunlight of promised redemption and therein lies the struggle for writing such fictional scenes. I know there’s light beyond the darkness. If a dark night catches up to me these days, I know there is hope on the other side. I instinctively want my characters to know it too. And, yet, they can’t know it because they’re not clairvoyant and when you’re young, you don’t have a catalog of life experiences that inform you the darkness is merely temporary.

Shane can’t feel that there is hope because he’s descending into darkness and it’s all he can see and I have to dwell with him in that terrifying place for however long it takes for him to get through it. †

As a character-driven writer, I allow my characters to tell me their story – not just the events, but their emotions and motivations. Shane is a reluctant informant. He doesn’t like talking about his damage. He doesn’t like me invading his privacy. He would rather I just hint instead of writing when he loses another piece of his soul. Readers can guess at what happened. He doesn’t need to be devoured for my art.

Of course, that’s a cop-out. I probably have some PTSD from my own dark nights. I need to walk through them with Shane so that the readers can sympathize, even empathize, with his pain. And I need to write Shane as not anticipating light, even as I know there is light just beyond what he can see.

One reason I write from multiple points-of-view is that sometimes one character will refuse to share the gory details, but another character can observe their agony and that takes away some of the sting. It also gives the reader a little buffer from the turmoil of the damaged character. There are emotions readers (and authors) don’t want to experience. Of course, we want the reader to empathize with our characters because that creates a bond between the character and the reader – a feeling that the reader is part of the story.

So what is the hardest scene I’ve written? That’s a hard question to answer because they stop being hard after I write them and I choose not to hang onto past resentments. Apparently, that personal ethic influences me as a writer as well. Writing a tough scene is like jumping into an icy Alaska river – it takes your breath away and you’re pretty sure you going to die, and then you recover and swim to the shore and it quits being a death-defying feat. It becomes a pleasant (if painful) memory where I overcame the cruel Alaska wilderness – a source for funny stories. So I frankly don’t remember the struggle because I overcame and it’s time to move on. Still, I can guess at which scenes stressed me out while writing them.

Frankly, if I’m honest, the hardest scenes for me to write are plotted, but not written yet. Shane is entering his pivotal crisis of the series. (The series has an ensemble cast, so it may not be THE pivotal crisis of the series). The book that publishes this fall will have some hard scenes in it, but the next book — that’s going to be like giving birth. I’m also working on the yet-unpublished “What If … Wasn’t.” Peter is a young man being released from prison after serving a manslaughter sentence for killing someone he loved. He’s not as dark and morose as Shane can be, but he’s got some horrible memories to live with and, it is a challenge to show that he hasn’t been defeated by his past, but that he walks a fine line between self-hate that could lead to suicide and hope for a future few people want him to have. And for me, as always, is the recognition that while I, the “deity” of this fictional world, know there’s hope — the character and the reader don’t.

Season for Plotting   1 comment

Kelly Williams’ contribution to this week’s blog hop.

Posted July 8, 2019 by aurorawatcherak in #openbook

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Seasons in Writing #OpenBook blog Hop   Leave a comment

July 8, 2019 Despite the recent snow in the Rocky Mountains, it’s summer in the Northern Hemisphere. Do your stories and worlds reference seasons and do they play into the plots of your books…

Source: Seasons in Writing #OpenBook blog Hop

Posted July 8, 2019 by aurorawatcherak in Uncategorized

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