Archive for the ‘#IndieBookBoost’ Tag

It Works for Me   9 comments

What is your preferred method of writing? (By hand, on a computer, dictate it?)

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I do what works for me

Well, I can start by saying my least favorite method of writing is dictation. There is something about hearing my voice without a response by another human that just feels bogus. It might have something to do with my characters telling me their stories in their own voices. I “hear” Shane’s voice as deep and lush while his brother Cai is a bit higher. When I go to dictate it, it doesn’t sound like their voices and so I feel like I’m making stuff up.

When I first started writing, computers required an air craft hangar to house them, so of course, I wrote long hand because there really wasn’t another way to do it. My stepfather gave me my first typewriter when I was in high school. Still there are some forms of writing that I still prefer to do long-hand. I keep a journal that is spiral bound steno pads, for example. I write poetry very rarely and very badly and I do it long-hand almost every time. Some of my more poetic narratives have started out long-land. I also carry a notebook with me when I am out-of-doors, so that I can jot thoughts down when the mood strikes me. I enjoy writing long-hand. It feels more hands-on and creative.

I trained to be a professional writer – a journalist — and journalists have, for about a century, been taught copy-writing on typewriters. So early in my career I learned to compose writing raw using my 10 fingers. To me, that feels like I’m working and, as I am a professional author now, I use the method that makes me feel like a professional.

Practical Choice

Pragmatically, it’s a huge waste of time to write narrative long-hand and then transcribe it to the computer. When I was a reporter, I would take some minimal notes and then type the article raw on a typewriter. Personal computers were just coming into the newsroom when I bailed for a job that paid actual money. But the habit of mostly writing by typing had already taken hold of me. It’s efficient. It eliminates a step. It makes editing quicker and easier. It saves paper, which saves money. I can send it to other people without having to make a copy of it. It gets around my legible, but not very pretty handwriting. It is much faster since this former transcriptionist can type way faster than I can think, so typing on a computer doesn’t slow me down at all. For a whole lot of practical reasons, typing into the computer is my preferred method — unless I am writing something where the creative juices don’t want to flow that way, and then I do long-hand — rarely these days.

Posted October 14, 2019 by aurorawatcherak in Blog Hop

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Refrain from Childish Behavior   15 comments

Do you read your book reviews? How do you deal with bad or good ones?

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How Dare You Criticize Me?

No book in literary history has been universally loved, which makes reading reviews scary and sometimes frustrating. I remember getting my first — and so far only — 1-star review. Ouch! It felt like I’d been spit on and the guy had totally gotten me wrong. I wanted to message him and correct his errors.

I’ve also had a good review where it was clear the person reviewing hadn’t read the book. Thanks for being nice, but — why? I wanted to message the reviewer and ask that question.

I didn’t. In either case. I still wanted to address the negative reviewer, but I know responding in social media would backfire on me, as would reaching out directly, and I’m not interested in getting into a battle with someone who is pissed because I gored his sacred cow. In the next book, in the author’s notes, I explained I think the military, absent its chain of command, would “go rogue” in an apocalyptic setting. I’ve got historical evidence on my side. It’s fiction. Maybe using a novel to point out the flaws of top-down command-and-control will prevent those flaws from becoming reality if the apocalypse ever does occur.

So, besides clarifying my position occasionally, how do I cope with reviews I don’t like?

Keep It in Perspective

Stephen King, Brandon Sanderson, Susan Collins, and Kate Elliott have more bad reviews than I do. How do I know that? I read their reviews. They’ve got thousands of them and hundreds of them are negative. That doesn’t seem to have stopped them from being best-selling authors.

People are still buying Stephen King’s books despite his bad reviews. People are still reading and buying my books — and reading the next book in the series — despite that bad review. The ultimate review, in my opinion, is coin in my bank account and that’s happening … despite that bad review, despite the pointless review that didn’t make an ounce of sense. If people are still reading my books regularly, then I’ll accept an occasional bad review as the price of doing business.

Balance is Good Thing

If a book has 1,000 5-star reviews without a single negative one, that makes me suspicious that the publisher has somehow rigged the system and flooded the book site with fakes. I think having diverse reviews and ratings shows an author has diverse readers, and yeah, not everyone is going to like my book, my characters, or my writing style.

Don’t Shame Reviewers Online

I see authors sharing their negative reviews. I see them shaming the readers and the person who left that review. What do they think that behavior will achieve?

It doesn’t encourage me to read their book. It puts me off. It makes them come across as childish and unprofessional.

You get what I am saying, right? I know nowadays the authors interact more with readers and fans, but does that mean we should shame them because they happen to have an opinion we don’t like? Even if it is about our book? Even if they are unknown to us? Even if they left us a 1-star review that made us curl in a corner and cry, should an author push back against that?

I have never seen anything good come from an author sharing negative reviews on social media, so I don’t recommend it and I don’t do it.

Learn From The Negatives

I still read my reviews because I use them as a learning tool. If the negative ones have a them — they’re all saying the same thing — then there’s something there I might need to address in my writing, editing, whatever. I’m not going to change my opinion about what the unsupervised military would do in an apocalyptic event, but if someone brings up spelling, grammar, characterizations that are unrealistic, factual errors — every criticism is a learning opportunity, so I’d be a fool not to read them.

What About the Good Ones?

The majorities of my reviews are positive and sometimes I want to reach out and say “Thank you”, but I’m not convinced authors should reply to positive reviews either. Think about that. Stalking your readers – a little creepy, right? I think it might have a chilling effect on reviews. I don’t like the feeling of anyone looking over my shoulder when I’m doing anything. It’s probably something wrong with my sense of self-worth or whatever, but seriously, it bugs me. So why would I do that to someone else?

Honest reviews are hard enough to come by without setting up any barriers to readers leaving a review.

But hey, an occasional THANK YOU is classy, just keep it non-specific to all reviewers rather than addressing them directly.

Indie Authors Among Them

Posted October 7, 2019 by aurorawatcherak in Blog Hop

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Wall of Despair   6 comments

September 30, 2019

How do you move past writer’s block?

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Being Honest

I don’t really believe in writer’s block. Every time I hear someone describe it, this little voice in my head goes – “Oh, they’re freaking themselves out. Don’t do that. Stop doing that. Move on, folks.”

I think every writer experiences inevitable moments when their prose are mushy and they can’t find a creative bone anywhere in their body. I’ve experienced that. I just don’t consider it a time to panic. It’s not writer’s block so much as it is often writer’s boredom.

Sometimes it’s not the right time to write about the story I want to write about. Maybe my ideas need to marinate a little longer before I can write them down.

Sometimes, if I’m really honest with myself, I am afraid to put my ideas and myself out where everyone can critique them and me. After all, who really wants to walk into the middle of a wolf pack with nothing between them and those teeth but a shield of toilet paper and a lace dress? Right?

Today, perfect is not an option – what a relief! But it’s still a struggle to want everything to be just right before you even put pen to paper or touch a keyboard. We all want that smashing-GREAT first line. I never write it in the first draft and that’s okay because that’s what second drafts and even third drafts are for. What a relief!

We all have self-defeating habits and fears that can tangle us up in personally-created red tape. Are there solutions to that dark night of the writer’s soul? Sometimes. I know what works for me, which is why I can say I don’t really believe in writer’s block.

I feel it. The huge brier wood of writerly complications that I must hack through to get the story I want to write. I hear the whisper of the voice of defeat every now and again. But instead of letting it block me from my goal, I start hacking away at it. The trick is to find something that works for you — this time.

“I’ve often said that there’s no such thing as writer’s block; the problem is idea block. When I find myself frozen–whether I’m working on a brief passage in a novel or brainstorming about an entire book–it’s usually because I’m trying to shoehorn an idea into the passage or story where it has no place.” Jeffrey Deaver

Anti-Solutions

What I don’t do — what I know will backfire every time — is to refuse to write until I feel “inspired.” Inspiration is the stuff of movies. Writing is work. It’s work I love, but it is still work. I don’t want for “inspiration.” I don’t feel sorry for myself. I don’t procrastinate and make excuses. Yeah, yeah, yeah – I don’t feel creative. So what? Create anyway.

Solutions

So I’m all bound up and I can’t create? Naw, maybe I just need a break. I go for a walk (up to a three-day hike). I make some coffee (or tea). I read someone else’s book for a while (I’m using “The Cold Dish” by Craig Johnson as my current distraction-cum-relief valve). I call an old friend. I spend time with someone who makes me laugh (Brad needs to come back from Texas). I go to the coffee shop and set up my computer there.

It doesn’t really matter what you do, so long as it works for you and it creates momentum. I have been known to write nonsense. After all, it’s just pixels. No harm, no foul, I can erase it later. Once you start heading in a direction — any direction — it’s easier to pick up speed and to guide yourself to the path you should be on. I never have just one writing project going. I have a primary, secondary, and tertiary project currently and I also have WIPs that aren’t anywhere near seeing the light of day — and it’s all fine because if I get bored with my primary project, I can switch to one of the others and still be writing — still making progress. And, in a few hours or a day or a week, I’ll come back to my primary project and, viola, I’m ready to write it again.

The fail-proof solution

You might already have guessed what my fail-proof strategy for overcoming writer’s block is. I write. I start somewhere, anywhere. I write a few lines. I say anything. I see what happens. I don’t think about it too much. Sometimes I write nonsense. I don’t try for the next great American novel. I just write. It probably isn’t eloquent or presentable. It’s just words on a computer screen — or sometimes a notebook. I write for the joy of writing, because writing is what I do. It’s how I talk to myself.

The fact is – if you’re not illiterate, you can write. Don’t make it harder than it needs to be. Just type a few words and get past the hump. You can fix it later. It’s something I learned in journalism. The difference between professional writers and amateurs is both encounter obstacles to writing, but one pushes through to the other side while the other gets paralyzed and stops writing altogether.

Sculpting Novels   7 comments

What did you edit out of your most recent book? (or another book…let’s see those outtakes!)

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First Draft

Here in Alaska, we have an annual competition of ice sculptors from around the world. I’ve helped with some of these projects and noticed that they share something in common with novel writing. An ice sculptor takes a block — or several — of ice and pares it down to something beautiful.

I’ve published seven books, in addition to submitting shorts to anthologies, and my editing process is a great deal like the process I see ice sculptors using. I am an inveterate self-editor who does not like to share her books before they’re almost ready for prime time. I did allow an editor a somewhat early crack at “What If … Wasn’t” which is why it is under extensive rewrite still two years later. It’s a good process that will make a better book, but that’s not my normal way of doing things.

When I write a first draft and to a certain extent the rewrite, it’s almost all creative process. I create the block, the large strokes of the story. I do some spot editing while I write. I fix my obvious typos and correct my spelling errors and grammar when they jump out at me, but for the most part, my first draft is pure creativity. I want to get the story down. I’m concentrating on narrative voice and character interaction and sometimes action scenes will be just one or two sentences because that’s not where I live as a writer. I know I’m going to come back later, so I’m not worried about making mistakes. This is my time to get messy and to throw stuff in that might not work. If it sticks to the wall, great. If it doesn’t, I can always revise.

Rewrite

My second draft is actually a rewrite that will invariably have a lot cut from it, but it will also be longer than the first draft because when I read the manuscript in its entirely, A bit like an ice sculptor using what is called ice welding, I”ll recognize where there are holes or events that don’t make sense without context and I will provide those. I’m a character-drive writer, so often times I don’t bother with descriptions during the first draft. I add those on the second draft because I recognize that pages and pages of dialog makes tough reading and sometimes I’ll cut a lot of dialog because I don’t need it once I add the description.

Pruning

I end up at negative editing in what can arguably be called my third draft. I don’t really experience it as another draft, but I’ve had editors and writing partners term it a third draft, so I’ll go with what they say.

This is where I get ambitious. Everything is up for grabs. A 12-word sentence can become a 9-word sentence with a tweak and a stronger verb. Whole conversations that were merely filler might be cut down to a few words. The plot has already been changed and rerouted during the rewrite, but it might get tweaked again. Sometimes I’ll decide a scene needs a change of POV because, for example, Jazz would see things Shane would not or vice versa. I’ve moved whole scenes from one location to another, swapped paragraph order or even substituted characters that weren’t in the original scene.

I pay particular attention to the voice of the characters at this point. And not just the characters who are speaking dialog, but the POV character’s narrative voice. There’s no reason to have more than one POV if they all sound as if they think alike.

Sometimes I cut whole scenes or pare a scene down to a few sentences in another scene. Nothing is sacred, although it is sometimes painful to kill my darlings.

Gates

A common mistake I find in my writing is I don’t have enough turning points. Many of my chapters miss that moment of no return as I get caught up in description and dialogue and just forget that the plot needs to move forward. I catch that on rewrite, putting in a realization or an action that can’t be undone. These sorts of “gates” inevitably lead to more conflict, which makes everything interesting.

Currently, I am editing “Gathering In”, the 5th book in the Transformation Project series. Of course sentences will be edited out and dialog trimmed, but there’s one fairly large part that is currently highlighted. It won’t be cut entirely because I think there’s some important character development in there that touches on future scenes, but it’s a little heavy-handed so it’s getting a major rewrite even in the third draft.

It’s a scene between the two brothers – Cai and Shane. Although I don’t write to a Christian audience, I do always want to present elements of my faith. Cai is a born-again Christian who makes mistakes. He recently had to kill a man because that man was a slaver (it’s an apocalyptic, right?) He’s torn up by this and seeks advice from his brother Shane who is not a Christian and is a mercenary with a lot of blood on his hands. Inevitably, the conversation will turn to faith because it’s a conflict between these two men. It’s a friendly conflict. Shane isn’t hostile toward his family’s beliefs, he just doesn’t accept them. Cai can get a little obnoxious (from Shane’s POV) but he means well. He believes Shane’s life would be better if he were a believer.

But the conversation is too long and too heavy-handed and so it’ll get pared – not deleted, just cut down to a few words and phrases so that Cai makes his points and Shane can reject them (or not) and move on. I can’t cut the scene entirely because it’s a healing scene for Cai and I can’t cut the conversation completely because there’s something Cai says in this section of the scene that is pivotal for events in the next book and rather than trying to explain what happened off-scene, I prefer to show it.

Yes, all that editing is a lot of work, but it is oh-so necessary. I spend at least as much time editing as I do writing the first draft. It’s a painful, but rewarding process as I hammer out scenes that I feel I can be proud of. I never send a draft to betas or editors that looks much like my first draft. I’m never sharing that draft with anyone (which is why I have no outtakes for this blog post). I would never knowingly dump a lousy draft on an editor. I want my book, whatever it is, to be as good as I can make it on my own before I let anyone else read it, especially before I pay anyone else to read it.


Posted September 16, 2019 by aurorawatcherak in Blog Hop

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Big Heads & Clay Feet   6 comments

September 2, 2019

Does a big ego help or hurt writers?

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Defining Terms

This isn’t an easy question to answer. It requires a fair amount of self-analysis and that’s always scary. None of us like to look at our own faults because — well, we prefer to think of ourselves as perfect which means we don’t have any faults. It’s a self-reinforcing denial and I have spent decades learning to be more honest with myself than I would like to be.

Before we can really discuss this topic, however, I think we need to define some terms.

Ego is a person’s sense of self-esteem or self-importance. Self-esteem is confidence in one’s value as a human being. Psychologists say it is a highly positive factor in life correlated with achievement, good relationships, and satisfaction. Possessing little self-regard can lead people to become depressed, to fall short of their potential, or to tolerate abusive situations and relationships.

Conversely, too much self-love results in an off-putting sense of entitlement and an inability to learn from failures. It can also be a sign of clinical narcissism in which individuals may behave in a self-centered, arrogant, and manipulative manner. Perhaps no other self-help topic has spawned so much advice and so many (often conflicting) theories.

Ah, but there is wisdom in knowing the difference between having an out-sized narcissistic ego and a healthy self-protective ego. Legitimate self-worth is knowing the value of what you have accomplished and feeling good about both your product and your contribution to that product. Narcisstic self-esteem expects to be praised even when you have accomplished nothing of value. We all know those obnoxious people who think the world should praise them for existing. I know you know them. You know I know them. They’re ubiquitous.

Revisiting Writer Kryptonite

When we turn to the subject of ego in a writer’s life, we are touching on writer kryptonite. A big ego can hurt a writer who avoids constructive criticism that might make them a better writer, but might hurt their feelings. Conversely, a healthy ego can help a writer by shielding us from ill-intended negative criticism. It’s troll repellent. If you haven’t encountered any trolls in your writing life yet, you need to interact more with the world. Having the strength of character to repel vitriol is a useful attribute, especially in the era in which we live when people feel so free to be abusive toward anyone they disagree with.

Does Ego Help or Hurt Writers?

To a certain extent, writing and a big ego go hand in hand. Writers have big egos. You need a fair degree of self-worth to believe your words are worthy of other people reading them. There’s nothing wrong with wanting people to read your writing because you know it’s good and makes an impact. It feels wonderful to share that and positive feedback is the ultimate validation of what you already know – your words have worth. What could be more ego-boosting than that?

And, yet there are writers who clearly believe they are God’s gift to the reading world. Maybe they were praised a bit too much on their first book. Maybe they OD’d on sticker charts as a preschooler. Who knows? Probably doesn’t matter. We see them fuss over every bit of negative criticism and blustering on talk shows. They’re very proud of their accomplishment and (often, but not always) in need of a good dressing down. And they wonder why their second book doesn’t sell and they fade off into obscurity and (possibly) substance abuse, moaning and groaning that the audience was too stupid to grasp the wonderful truths found in their writing.

Be honest. You know a writer like that. And it can be a fine line between a healthy ego that accepts criticism to become a better writer and an outsized ego that is certain it needs nw guidance or feedback.

So Which Is It? Good or Bad?

Both. You have to know your own worth to publish a book. Someone with low self-esteem would never do that. Conversely, self-esteem needs to be healthy, not brittle and defensive. There’s a ying and yang to ego, a happy medium where we know our worth, but we are aware that we can make mistakes and we need positive feedback.

And, of course, I think I’m one of those balanced people, but if I’m honest — any wisdom I possess comes as a result of seeing the tension between self-worth and narcissism in my own life. I think my words have worth and that people will gain something from reading them. I can take criticism. I can even read venom and take a pause and decide whether there is anything worthwhile in it (and sometimes there is). And there’s a part of me that wishes I were perfect, but knows that the key to a good book is recognizing that I don’t want to sacrifice the good for the perfect.

By the way, I’ve written some books filled with words that are worth reading. Check them out and then go see what my fellow writers think about this question.

Posted September 2, 2019 by aurorawatcherak in Blog Hop

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Goal!   9 comments

What does literary success look like to you?

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What Tastes Like Literary Success?

The easy answer for me is seeing that my books are being read. Yeah, all indie authors are jazzed to see our books finally in publication. And, yeah, it feels good to sell a book and make some royalty. A little coin in the pocket isn’t a bad thing, especially since there’s a cost to publishing and it’s nice when your books break even or, gasp, make a profit. I’m a capitalist and, while writing as a hobby is something I’d do anyway, making some money off it is gratifying.

But, unexpectedly, was what happened when I published my most recent book in November 2018. The sales weren’t especially overwhelming, but I’m used to that and it was before I had discovered Amazon ads. The book that comes out later this year will be a full test of the efficacy of that program. No, in November I clicked on Kindle’s KENP Reads beta report and saw this amazing report that showed me which books were being read and I could do the math and see how many books that translated into. I could see that someone (I imagine the same readers) were starting with Book 1 (Life As We Knew It), going to Book 2 (Objects in View), going to Book 3 (A Threatening Fragility) and then finishing with Book 4 (Day’s End) and they were doing it, often day after day … binge-reading my series. While I’d love it if they left a review when they were finished, this is sufficient applause for me.

In fact, it was far better than getting paid when someone buys the book, which could sit on someone’s TRB for years. Instead, I get real-time data showing the books are being read. (KENP has now come out with a royalty estimator so you can see approximately how much money you’re making from those reads). That scratches the literary success itch for me in a way I didn’t even know I wanted.

Would I like to be a best-selling author? Of course I would. Any author who says they don’t want that is either lying or in denial. We wouldn’t publish our books if we didn’t want them to be read. Most of us are, unfortunately, going to languish in the shadows for our entire careers. We have to define success in something other than the dollars our books bring in the door. For me, it’s people reading my books. That doesn’t mean I wouldn’t do a happy dance if I broke into best-seller territory, so isn’t it lovely that KENP is now being used to calculate best-seller rankings. And, last month was the first time my KENP royalties outranked my sell royalties, so … yeah … starting to look kind of shiny around here.

Interview with Taylor Caley   Leave a comment

mToday’s interview is with Taylor Caley. Welcome to the blog. Tell us something about yourself. 

 

Taylor Caley Author PicI am from south central Pennsylvania in the United States. I am currently enrolled in creative arts at Full Sail University. Rising up the ladder in the creative industries is what I want to do with my life, as an author and a filmmaker. Until then, I pay my bills by working full time at my local ski resort and as an Uber driver in my free time. Despite full time work and college, I am always writing and continuing to expand the fictional tale I have to tell.

 

My current novels can be found on Amazon as well as my website, www.taylorcaley.com, where people can learn more about my works as they unfold.

 

At what point did you know you wanted to be a writer? 

 

Some people adopt writing as a hobby, others are adopted by it instead. That’s what I believe, and I’ve always believed myself to be among the latter. I’ve been telling stories on paper ever since I was six-years-old. I haven’t the faintest idea what it was about, but I remember everybody telling me I had talent for such a young child. When I was 13, my aunt urged me to take my talent to the next step, asking me to write for her a full length fictional story. This was what inspired me to step onto the road of professional writing, and after nine years of editing and evolving of the story, just after my 22nd birthday, I paid her a visit to personally give her a paperback copy of my first published book, Ice Cold – Part One: The Dark Zone.

 

That is really neat. What is your favorite genre … to read … to write?

 

My favorite genres to read have undoubtedly always been fantasy and science fiction. I read the Harry Potter series throughout middle school, and after that the Lord of the Rings, and just fell in love with the idea of such boundless limits in the worlds of fantasy. Ever since then, the vast fantasy genre has become my favorite to write as well. I wanted to create a great universe such as those I had read that I could call my own, but at the same time, I wanted to go beyond that. I wanted to create something that nobody had done before, and I’ll be spending the rest of my years bringing it to life. My first book, Ice Cold, is just the beginning of that.

 

What are you passionate about?

 

I am very passionate about the creative industries as a whole, in fact there is nothing I am more passionate about. I follow new films and television series very closely, and rarely ever watch them without a computer handy because I am constantly doing research on every aspect, story elements, people involved, anything I can learn from them in the interest of improving and advancing my own writing.

 

 

When you are not writing, what do you do?

 

Well, when I’m not writing it usually means I’m either working or at school. However, there is one activity I enjoy, my passion for which is right up there next to writing, and that is the game of paintball. My friends and I play most weekends throughout the summer, and I’ve always felt it was the best activity that could take my mind off writing for a while, considering it’s more or less the polar opposite.

 

 

Nice. I use hiking to fill that activity void myself. You have to vary your interests. Where do you get the inspiration for your novels?

 

Most of the inspiration for my writing comes from my dreams. J. R. R. Tolkien once said, “A single dream is more powerful than a thousand realities,” and he’s absolutely right. Perhaps the greatest inspiration I’ve had was when I was writing my first book, Ice Cold, the setting of which takes place in the Appalachian Mountains. I was greatly inspired by the beauty of the mountains after having lived in the Appalachians as a teenager, and one of the most common praises of my book has been my descriptive ability to make my readers vividly see the beautiful forests and mountains in my writing.

 

 

What sort of research do you do for your novels?

In developing a sci-fi/fantasy literary universe of my own, the bulk of my research has been in the areas of ancient legends and religions, in order to twist historical and mythological contexts and transform the world we all know into one of epic fantasy across all eras of time; chief among those being Plato’s concept of a hollow Earth and the curious but rather far-fetched multiverse theory.

 

If someone who hasn’t read any of your novels asked you to describe your writing, what would you say?

 

                Usually I’d say you’d be better off trying to learn quantum physics in five minutes. Joking aside, I like to call it a new generation of science fiction. I say this because the style of my writing can be compared to modern day stories and films such as the increasingly loved Marvel Cinematic Universe, in the sense that my writing is made up of many different stories and series along the same chronological tangents, all of which are meant to converge to bring about the ultimate climax of the story. To contrast it with said comparison, what makes my writing different is that it is completely original, therefore my biggest challenge is that, unlike Marvel which has been around for decades, I can’t just jump right into the middle of the series and expect my audiences to go along with it. Because of this, my writing has been expanded into an incredibly large, complex tangent of novels and series. In this way, I can slowly introduce characters that my readers can fall in love with, and sci-fi elements that they can eventually accept as if they’ve known it all along as they dive deeper and deeper into an ever-growing world of adventure and excitement. It all starts off easy; my first novel, Ice Cold, merely tells a simple tale of a native culture battling against foreign foes that seek to wipe them out, but as read into it you soon begin to discover that there are some unknown, outside elements that make you realize there’s a lot more going on, and a lot more to come.

 

 

That actually sounds like a really good start to a series. Do you have a special place where you write?

 

I don’t have any special place to write in particular. All I need is solitude as well as peace and quiet, of which any writer can certainly agree. I have found that the best time for me to write is at night, when the mind seems to be at its most active point. Often, I get so lost in my own worlds that I end up writing until dawn!

 

 

Are you a plot driven or character driven writer? Why?

 

                I would definitely say that I’m more character driven. I firmly believe that characters are born from certain traits and qualities of the writer, and understanding where our characters come from can help writers to better understand themselves. Being driven by my characters, and watching them suffer and rise above the obstacles in their paths, helps me to move the story along, and to take the plot to places beneficial to their further development.

 

 

Do you write from an outline or are you a discovery writer?  Why?

 

I create detailed outlines of my books before I begin writing, laid out by chapter with specific points to help me understand why each chapter is important and how it leads to the next part of the story. The personalities of my characters, however, is often something I tend to develop along the way as they’re faced with new challenges that could change them, much like obstacles in our own lives have the potential to change us as well.

 

What point of view do you prefer to write, and why?

 

I was never a huge fan of first-person narration mainly because I feel it sounds like a story that has already passed, as it’s being told from the point of view of one of the characters. Third-person on the other hand, despite also being written in past-tense style, I’ve always felt carries the feeling that it’s happening as you’re reading it, and in essence, it feels much more exciting. The thing about third-person narration is that it can be told with aspects of first-person as well. I often write certain parts of my stories as if you’re reading it straight out of the character’s mind, and it really makes you feel like you’re literally right there beside them.

 

I like that! So, I’m going to drop you in a remote Alaska cabin for a month. It’s summer so you don’t have worry about freezing to death. I’ll supply the food and the mosquito spray. What do you do while you’re there and what do you bring with you? If you’re bringing books, what are they?

 

                I’ve always wanted to see the mountains of Alaska, or to even have my own cabin. With food supplied to me, there’s not a lot of things I would wish to bring with me. Instead, I would find myself marveling at the beauty of the Alaskan environment, and remembering my days in the mountains that filled me with inspiration. Such solitude would be everything I’d need to immerse myself completely into my writing.

 

 

Tell us about your book.

 

              Taylor Caley Ice Cold  Ice Cold is part of a six-part series (more accurately the series is divided into three parts, each containing two of their own), and is where the grand tale begins. My first book, Ice Cold – Part One: The Dark Zone, tells the story of a small, hidden culture known as the Ravennites, descended from the mysterious Native American tribe, the Seluitah. The book pits the Ravennites against the oppression of Outside invaders, with the addition of a New York teen named Alex Lee, who finds himself accidentally caught in the middle of the conflict. After seeing the pain and suffering caused by the Outsiders, Alex’s journey begins when he sides with the Native culture and begins to fall in love with a young Ravennite woman.

 

                Ice Cold – Part Two: Winter’s Bane is nearly entering the publishing phase, and sees the climax of the war between the Ravennites and the Outsiders. At the same time, it explores more of the religious folklore of the Ravennites’ ancestors and deepens the bond between Alex and the woman he loves, but it is also here that key elements of the fantasy epic to come slowly begin to unfold.

 

                Between Ice Cold and the rest of this distinct series, I’m in the process of writing a short novella titled, Rowan. It’s a simple story taking place almost immediately after the end of Ice Cold, and centers around Rowan, the Ravennite girl whom Alex Lee had fallen in love with, and how she copes with life after her people’s war, all the while discovering secrets about herself that had been kept from her all her life. It’s designed to be a rather heart-rending story while leaving the reader anxiously wanting to see what her own future holds.

 

 

Was it your intention to write a story with a message or a moral?

 

                I did not necessarily have a message or moral in mind when I set out to write, not within the story at least. If anything, it’s my desire more than anything to set an inspiration for other young, aspiring writers to go above and beyond their limitations to create great universes the world has never seen before. That’s the message I truly hope to give.

 

 

What do you want readers to think or feel after reading one of your books?

 

                Feel is the key word here. So far, my readers have told me that they can vividly picture the story and the settings, and that they have started to grow attached to the characters already. What I want is for readers to feel exactly what I felt when creating the story; the sense of realism, beauty, and love for the characters they encounter. The way I see it, feeling the happiness and pain in such fictional characters that seem so real is all people need to understand the same feelings in the people around them.

 

 

What influenced your decision to self-publish?

 

                Despite the obvious disadvantages that come with self-publishing, I would say that my main influence to self-publish was simply to learn the process for myself, and what it takes to own and manage one’s work. It’s not an easy task, but it opens doors to possibilities with my future works, such as how I can better market my books, and who I can bring over to my side and collaborate with in the interest of expanding.

 

What do you find to be the greatest advantage of self-publishing?

 

The greatest advantage of self-publishing that I’ve seen so far is definitely being the one who makes the final decisions. That has its disadvantages, of course, but as I said before, the experience is what truly gives you the knowledge to make changes as you see fit and what you need to do in the future to avoid the obstacles you’ve run into the first time around if building upon your writing is what you wish to do with your life.

 

Conversely, what do you think self-published authors might be missing out on?

 

                Of course, the main disadvantage is bitter fact that, at least from the beginning, you’re on your own, and that your campaign is based solely around the gamble of spending money to make money.

 

Who designed your book cover?

 

The cover for my first book was designed by my publisher, Outskirts Press, per my instructions, and I could not have been happier with the result. They truly captured the beauty of setting in one detailed illustration. However, with the only downside being the amount of money I spent on the cover alone, I am currently having the cover of my second book done by a separate entity at coversought.com for a much better price, and I have absolute confidence that they can produce the same astounding results as I’ve seen in my first book’s cover.

 

 

 

 

 Do you believe that self-published authors can produce books as high-quality as the traditional published? If so, how do you think we should go about that?

 

I believe self-published authors have more power to produce high-quality books than traditional publishers because these are the true creators. The only thing that really stands in the way of self-published authors is the means to make themselves known, which is why my hope is to collaborate and network with not traditional publishers, but other self-published authors to help give rise to the idea that self-publishing in the creative industries is, in fact, the future.

 

Where do readers find you and your books?

Amazon

Website

 

 

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